Artist StatementI have had a strong fascination with anthropology and art since childhood. Some of my greatest influences have been the primal forms and stories of traditional cultures from around the world. I am not alone. "Primal" art forms have influenced the imaginations and the works of artists throughout the centuries. Each form, whether a totem, mask, shield, body art or figurine, was created as a means of connecting... man to man, man to animal, man to spirit, or spirit to spirit. They became a bridge creating a sacred communion or dialogue between the physical and spiritual worlds. Many display rich color harmonies using symbols to create rhythmic patterns that convey a sense of timeless energy. I am drawn to that energy. Each creation I design may be based on a cultural myth, folklore, legend or my observations to convey my own personal narrative. My works are hand built, sculptural, low-fired clay forms. The surfaces may be impressed and/or incised with a compilation of textures, patterns and symbols. Color is incorporated predominantly through the application of underglazes, colored slips, and oxide stains. Metal, hemp, raffia, and other materials may be added to elaborate and exaggerate the forms. The objective with each piece is to exhibit a contemporary interpretation and visual narrative of cultural myths and primal creations. My work is highly inspired by these “primal” forms, as I, too, search to explore… where I come from, who I am, where I’m going, and what lies beyond this physical domain. |